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Given a great deck should provide context and visual cues rather than the contents of the talk itself, a great deck by itself is pretty unintelligible without the talk.
Still, the key point came across: guidelines for success in TV = guidelines for success on the net.
I'd love to give this presentation to the top brass at all the large filmed entertainment companies
I have to admit that I am getting used to "watching" games on the web when the broadcasters fail to broadcast the Heels to my liking.
Then, there is college football. Well, just the Horns really. And only the "away" games cause I live in Austin.
Sports are always better live
the sports events you want, a high speed internet connection plus some
rabbit ears might be the call.
is where I talked about that.
That issue Rick is something I'd like to do an entire presentation on
It's a great one
Television does face challenges, but the end is not quite nigh -- the end is out there on the horizon but it's not as near as some think. It still attracts top talent (tho there is certainly a siphoning off to online - Joss Whedon and Dr. Horrible will open more eyes on this front). TV can hold on to the fact that it still matches people's rhythms fairly well. TV is dead simple and offers limited choice. Some may think this is a liability, but in many cases it's a plus since it bounds the discovery problem and people aren't paralyzed by choice.
the 3-year old was captivated by The Incredibles on the big screen. The 9-year old was watching and commenting her classmate's YouTube channel. Both were very happy.
(do you really think Pelosi is an ogre? ;)
Your "Six Words to Live By" I'm most certainly going to pass on to my friends and colleagues out here in LA, who are also in the television business.
People are still watching TV -- but they're watching it in a fundamentally different way, and in a way that demolishes the secret business model of the business, which was: People hate to change the channel. Seriously: the television business has been steadily declining since the first moment people didn't have to get up off the sofa to change the channel. From clicking around 13 channels to flipping through 1300, to time shifting and now cherry-picking only the shows a viewer wants to watch, the business has been forced to do something it wasn't designed to do: make money putting on shows people want to watch.
In the not-too-distant past, networks lost money on the hits -- shows like Cheers (which was my first gig) and Friends and Seinfeld ran deficits for their producers for the first few years, but by year 4 or 5, they were all "made whole" by the network. If you wanted to renew Cheers, NBC was told by Paramount, you need to pay us back for everything we've spent, plus more, plus more in the future, plus more for the cast, plus more just because we can.
So NBC's game was to make money on the shows around the hits -- the so-called "Halo" effect -- like Wings, which nobody really liked that much, but which was, you know, on. Why flip around?
The current environment is the worst possible outcome for people in Hollywood: you have to put on good shows. All of them have to be good. And you have to make money on them, too, because you're selling that show specifically, not the time periods around those shows.
But that's not how the system is set up. And the system is changing, and it's incredibly exciting (for people like me who have been in the business for a while and who like to write and produce shows) but it's terrifying for anyone who made money the old way, but servicing a system that only works if the customer doesn't or can't make a choice.
Put it this way: the recent sharp decline in house prices in the Los Angeles area isn't totally related to the overall economic recession. A lot of it is Hollywood-specific, as we all try to learn how to make money in the worst, most painful, least attractive way possible: earning it.
What do you think about Boxee?
studios' response to it, by their pulling Hulu content. I don't get it.
The trouble with the broadcast networks is that they're still pushing
the customer around. Basic cable outfits like FX and USA and TNT and
Bravo rerun their shows pretty much wall-to-wall. You don't bother to
TiVo one of their shows because it's a good bet that it's on, right
now. USA's "Burn Notice" is a huge success for them, and it's on
maybe four or five times a day. But the broadcast guys still demand
that you sit and watch when they tell you to sit and watch. And the
customer is telling them to jump in the lake. The customer is going
to basic cable or the web or, worse, DVRs and zapping through the
commercials.
Boxee seems to me like a godsend to the broadcast networks -- anytime
you can get people back on the sofa watching your content -- rather
than ten inches from a laptop, finger poised over the mousepad -- it's
a huge win for them. Anytime you can remind the customer exactly how
wonderful your product is, it's a huge win. I don't get it. The
first thing the big studios and broadcast networks should be concerned
about it market share -- take back the eyeballs from Guitar Hero and
Facebook and LOLcats and basic cable offerings. The second thing is,
are they watching the commercials? The potent combination of Boxee
and Hulu seems to accomplish that. Figure the details out later.
As Dick Costolo hilarious put it in one of his tweets: (I'm
paraphrasing) "Hollywood has gone crazy. Now they don't want you to
watch TV on your TV."
We'll get there shortly I think