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First of all it seems too narrowly focused on indie rock---I can't be the only one who listens to dozens of genres of music but all the music stuff online is extremely siloed. Second, I find the interface all but impenetrable--not enough info up front per post to give me a hook to enter, nothing as functional as Techmeme. Third, I despise the name--"hype" has nothing but negative connotations for me.
One other thing, w/ respect to the Rolling Stone comparison, I also think that our cultural relationship to pop music is different than it was in the heydays of Rolling Stone. Culturally pop music is not nearly as central or shared as it was in the late 1960s, early 1970s. Also there's so much more music and so many more kinds of music available today (like the differences in TV programming between the network TV era and today) that my favorites and your favorites might have little overlap. Finally, we actually listen to music more privately than before thanks to portable players. Finally, the kind of magazine that Rolling Stone was when it was good (and that Playboy was when it was good)--w/ an editorial gatekeeper's package of content beyond just music reviews and infographics--was something that worked for a format and time that no longer exists. Not mourning its passing or bemoaning the difference, just noting that I think the comparison is apples to oranges.
Good luck to the guys. Glad it works for so many of you. As for me, I'm still looking for a solution.
Thanks, have a nice evening.
-Dan
But again, I thought you and my blogs were the Rolling Stone on our time? ;-)
http://venturebeat.com/2009/01/05/norwegian-woo...
They got flack from some old-time users when they changed from the white design to the new green design and removed some features (I liked the shuffle and repeat function in the old pop-up Flash player) but the new design and features (especially the favorites, your own and your friends, and the popular playlist) is much stronger and valuable.
Whenever I hear new music, whether it be via blog posts, the newspaper, NPR, at the coffee shop, etc., I go straight to HM to find it and listen to it. I still use Last.fm b/c of the iPhone and iTunes integration but for discovering new music and bookmarking/saving those new discoveries, that all happens on HM.
not hatin' on it, though, i think it's great. as noted it is low cost and profitable. IMO well positioned to survive economic armageddon.
twitter: jgheller
If we can determine that they are not data-predators in our use case, we'll be happy to integrate. This is something that's often overlooked in all the excitement about their new service. For comments, it may work splendidly, but if you are looking to cultivate a relationship with your audience, it may not be the case.
And so, if you have not heard Marching Band: Spark Large I highly recommend a listen to a track since I still love a human recommendation the most.
http://www.musicthinktank.com/blog/cyber-fluff-...
Here's how it works:
1. I'm a musician. I sign a deal with a label. (Yay!)
2. My record is done. My label releases my music. (Yay!)
3. A music blogger likes my record (Yay!), rips it, and posts it on his blog without permission or compensation. (Oh, no!)
4. Hype Machine aggregates that blogger's feed, along with the link to my 'borrowed' music. (Gulp.)
5. Lots of people listen to that 'borrowed' track, favorite it, etc., instead of going to iTunes or even my MySpace site. (Sigh.)
But I guess Hype Machine is pretty awesome. I'm sure I can make enough money from touring and selling t-shirts; just wish they would have asked.
And they are generating fans like radio used to do in the old days
And they also sell a lot of music through links to amazon, emusic, and
itunes
I guess you could take the position you should get asked permission before
someone tells people how great your music is
But I think that¹s pretty old school thinking
Look, for example, at the post on the front page touting Neil Young's awesome song, "Don't Be Denied." Anthony's Amazon link goes to a 'dumb' search result on Amazon which doesn't even list that song on its first 24 results.
Incidentally, I love HypeM also. Love!
I bought two albums today from hypem links
Devotchka on amazon mp3
Beach House on emusic
Both links worked perfectly
I can tell you that I buy more music from hypem links than any other source by a factor of 5-10
It's an amazing way for musicians to reach new fans and sell their music
I love it also. But he's not paying royalties on his main site, he's not asking artists for permission (no matter how wonderful you and I think it is for them), and he will get sued.
And he's been operating hypem for going on three years now
most of the popular indie blogs, labels and artists (justice, bloc party, chromeo,subpop, jagjaguare, world circuits,defjux, warp, domino ...) are starting to use fairtilizer.com: soundcloud features meets hypemachine meets tubemogul distribution and datas ...plus wolrdwide perfomance agreement deal, and probably the best A&R traction right now. content owner generated is the key for new music start ups. thats why myspace made it in the first place.
Can I use it to post music to my blog?
They're not only great music observers, they're getting brilliant businesswise as well.
Can they scale ? Does everything good have to scale ?
Can they stay afloat doing this for years with minimal private investment ?
Whatever makes them happy will make their public happy.
I think they're a good model for a different breed of web startup.
I do love Hype Machine, but like many say, it's not very good outside of a few categories -- and it's not about "new" versus "old" stuff. It more reflects what is already popular in the current music culture. To that extent, things like hypem (and last.fm) reflect rather than define the music culture.
The lack of ability to listen by genre is intentional. We want you to listen to things outside of your comfort zone. Yes, it is more abrasive than Pandora, but it's worth it.
(a compliment to Anthony)
And now they plan to develop an app for the iPhone, ugh.
a) Anything potentially audio-related may compete with iTunes
b) Streaming over 3G eats your battery alive
c) Lack of background support may render certain things impractical
d) Esoteric development process. Is it really worth $20-40k to hire a dev to build this, given a) b) and c) and then have a limited audience use this?
The Android is a cool platform but the phones so far have been missing headphones jacks (I just couldn't believe that actually happened!) and have not moved that many units. Likely some of the iPhone issues, in particular b) still apply here too.
We aren't totally against it though, so perhaps we should discuss more.
my name is danielle mcgrath ,
and im inlove with nick jonas <33